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Performance Costume in 18th-Century France

Louis-René Boquet Between Tradition and Reform

Performance Costume in 18th-Century France cover

Performance Costume in 18th-Century France

Louis-René Boquet Between Tradition and Reform

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Pre-order. Available Jan 08 2026
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Description

Petra Zeller Dotlacilová's study examines the development of theatrical costumes in France during the long 18th century, including the abandonment of long-established traditions, the need to negotiate with the dictates of fashion, and the translation of new ideas into material practice.

Using Louis-René Boquet (1717–1814) - the leading costume designer of the French court and the Paris Opera - as its lens, the book traces the development of costume reform from an aesthetics of propriety, defined by strict conventions, to an aesthetics of truthfulness, more open to ideas and inspiration from the visual arts and from real life.

Full of rich primary source material in the form of newspaper articles, letters, plays, librettos, drawings and images of garments, and illustrated in full colour throughout, the author shows how playwrights, theatre managers, designers, tailors and performers all contributed to the changes in the design and conception of costume during the 18th century.

Table of Contents

Acknowledgements
Note on Translation
List of Abbreviations

Introduction
Studying historical costume in performance
Boquet: between tradition and reform

Chapter 1: Making of Costume for Performing Arts
Design Process at the French Court and the Opéra
Costumes at Comédie-Française, Comédie-Italienne and Opéra Comique
Self-fashioning at the Opéra: Designer vs the Soloists
Shaping Costumes According to Performing Arts and Gender

Chapter 2: The Tradition, or the Aesthetics of Propriety
To Dress Properly: Social Norms of Clothing
'Something rich and yet true to nature': verisimilitude and the merveilleux
The Artistic Genres: Rules and Principles
Dressing the genres: French costumes for opera and ballet before Boquet
Breaking point: Expanding genres and fashions
The freedom of the fairground theatre and the Comédie-Italienne


Chapter 3: The First Wave of Reform, or Towards the Aesthetics of Truthfulness
What is a 'truthful costume'?
Les philosophes on costume and dress
The Reform in Practice: The problem of genre

Chapter 4: Reform at the Opéra and the court
Between the court and the fairground theatre: shepherds, peasants and Le Devin du village
Le Devin du village: a play with the appearances

First Greeks 'correctly costumed in ancient style' at the Opéra
Old Alceste in new clothes
'Costumes of all ages and countries'


Chapter 5: How to Dress Dance?
Development and diversity of dance techniques
Habit sérieux
Habit demi-caractère
Habit comique


Chapter 6: Towards the Second Wave of the Reform, and Beyond
New fashions, new costumes: the triumph of simplicity
Boquet and Neoclassicism
Stage costume between nature and art

Glossary
Bibliography
List of Illustrations
Index

Product details

Published Jan 08 2026
Format Hardback
Edition 1st
Extent 288
ISBN 9781350531000
Imprint Bloomsbury Visual Arts
Illustrations 160 colour illus
Dimensions 10 x 7 inches
Publisher Bloomsbury Publishing

About the contributors

Author

Petra Zeller Dotlacilová

Petra Dotlacilová holds a PhD in Dance Studies fro…

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