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Description
An exploration of how contemporary horror films focusing on the internet engage with society's material, functional and ideological reorientation to new digital realities, this book shows how subjects can resist the age of data capitalism and the authority of the algorithm.
Upending the notion that the horror genre – arguably the seismograph of cultural unease – has remained unresponsive to the unprecedented dangers of the digital age, The Post-Internet Horror Film illustrates how the genre tackles the (un)representability of ubiquitous computing. With consideration of how 'smart' technologies and interconnectedness of all computing devises via the web destabilise conceptions of the internet, Max Jokschus examines to what extent contemporary internet horror films contribute to fostering awareness of the internet's political economy – and how they, indeed, obscure it.
Detailing a new phenomenon that will only become more urgent with time, and calling upon data-capitalism criticism, Jokschus provides a systemic analysis of this emerging genre, its semiotics, affects and ideologies. Breaking the genre down into first and second-wave internet horror cycles and covering themes 'cyberphobia', 'datanoia' and the dark web, the book makes case studies of such films as Strangeland (1999), Pulse (2001), The Lawnmower Man (1992), Chatroom (2010), Cyberbully (2015), Girl House (2016), Bedeviled (2016), Child's Play (2019), Countdown (2018), Selfie From Hell (2018), and Dark Web: Descent into Hell (2021). Offering new ways to think, write and teach about the horror film, as well as modelling how critical internet studies and film studies can expand each other's insights, The Post-Internet Horror Film explores a new kind of scary but also avenues for user agency and resistance.
Accessibility Information
Additional accessibility information
- EPUB 3.0
- Conforms with the requirements of EPUB Accessibility Spec v1.1
- WCAG level AA
- WCAG v2.2 compliant
- accessibility@bloomsbury.com
Hazards
The publication contains no hazards
Support for non-visual reading
- No accessibility features offered by the reading system, device or reading software are disabled or otherwise unusable with the product
- Has alternative text descriptions for images
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Appearance of the text and page layout can be modified according to the capabilities of the reading system (font family and size, spaces, as well as color of background and text)
Navigation
- Page list to go to pages from the print source version
- Elements such as headings, tables, etc for structured navigation
- All or substantially all textual matter is arranged in a single logical reading order
- Content is enhanced with ARIA roles to optimize organization and facilitate navigation
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Rich content
Language tagging provided
Table of Contents
1.1 A History of the Internet
1.2. A Theory of the Horror Film
1.3. The First Cycle: Cyberphobia 1.0
1.4. The Second Cycle
2. Surface: Cyberphobia 2.0
3. Depth: Datanoia
4. Darkness: The Dark Web Horror Film
5. Conclusion
6. Works Cited
Product details
| Published | Oct 15 2026 |
|---|---|
| Format | Ebook (Epub & Mobi) |
| Edition | 1st |
| Pages | 240 |
| ISBN | 9781350611184 |
| Imprint | Bloomsbury Academic |
| Illustrations | 0 |
| Series | Bloomsbury Spectres, Hauntings and Horrors |
| Publisher | Bloomsbury Publishing |
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