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“Grammy Award–winning producer Shepard throws open the door to the recording booth in his exuberant and fine-grained debut memoir.... Broadway aficionados will find plenty to enjoy.” - Publishers Weekly
RECORDING BROADWAY: A LIFE IN CAST ALBUMS of the making of fifty-plus years’ worth of show albums, featuring up-close-and-personal stories of his work with pretty much everyone who was anyone on Broadway, including Julie Andrews, Leonard Bernstein (“truly awesome but very complicated”), Sheldon Harnick (“as warm and decent as he was talented”), Barbara Cook (“one of my favorites”), Placido Domingo, Gregory Hines, John Kander, Fred Ebb, Danny Kaye, Angela Lansbury (“so gifted and so easy to be with and to work with”), Mandy Patinkin, Bernadette Peters, Chita Rivera, Stephen Sondheim (“a genius, and very easily bruised”), Barbra Streisand (“as professional at 24 as any veteran I’ve ever worked with”), Andrew Lloyd Webber, and many more.
Alongside this unforgettable saga is the tale of Shepard’s childhood as a small-in-stature piano prodigy from East Orange, New Jersey, and his emergence into the world as a recording producer of, first, classical music and then Broadway cast recordings. Told with verve in Shepard’s inimitable voice— a striking combination of Broadway glitz and classical-music elegance—his journey makes for a uniquely compelling story, whether or not you’re among the millions of musical lovers around the world for whom his recordings are a vital link to Broadway at its best.
Published | Nov 19 2024 |
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Format | Hardback |
Edition | 1st |
Extent | 376 |
ISBN | 9781493081257 |
Imprint | Applause |
Illustrations | 104 BW Photos |
Dimensions | 9 x 6 inches |
Publisher | Bloomsbury Publishing |
Grammy Award–winning producer Shepard throws open the door to the recording booth in his exuberant and fine-grained debut memoir. Teaming up with journalist Wren, Shepard traces his obsession with recorded sound from his New Jersey childhood (his grandfather bought him a phonograph when he was three years old) through a career spent making studio and original cast recordings of such Broadway musicals as 1776, Company, Sweeney Todd, and Chicago. Interwoven throughout are insights into such technological innovations as the 1948 introduction of the 33 1/3 rpm long-playing record, the addition of sound effects and other atmospheric touches to recordings, and the rocky transition to digital recording in the 1980s and ’90s. Shepard and Wren delve into the nitty-gritty of making a Broadway cast recording with genuine affection, though the minutiae sometimes detract from more colorful and accessible anecdotes about working with Julie Andrews, Angela Lansbury, Barbra Streisand, Elaine Stritch, and other stars (at 24, Streisand had ‘as canny an ear as any veteran I’d ever worked with,’ recalls Shepard of a recording session where she correctly identified the take on which the orchestra had played best). Broadway aficionados will find plenty to enjoy.
Publishers Weekly
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