This series provides a critical framework for the study of the dynamics of music performance, and the forces behind the senses of identity, selfhood, and belonging that shape "European" musical experience. The series establishes a forum that can engage scholars, musicians, and other interlocutors in debates and discussions crucial to understanding the past, present and future of the specific social configurations on the musics of Europe.

Series Editor: Philip V. Bohlman & Martin Stokes