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Description
In Shakespeare through Letters, David M. Bergeron analyzes the letters found within Shakespeare’s comedies, histories, and tragedies, arguing that the letters offer the principal intertextual element in the plays as text in their own right. Bergeron posits that Shakespeare’s theater itself exists at the intersection of oral and textual culture, which the letters also exhibit as they represent writing, reading, and interpretation in a way that audiences would be familiar with, in contrast with the illustrious culture of kings, queens, and warriors. This book demonstrates that the letters, profound or perfunctory, constitute texts that warrant interpretation even as they remain material stage props, impacting narrative development, revealing character, and enhancing the play’s tone. Scholars of literature, theater, and history will find this book particularly useful.
Table of Contents
To the Reader
Chapter 1: Comedies
Two Gentlemen of Verona
Love's Labor's Lost
Much Ado about Nothing
As You Like It
The Merry Wives of Windsor
The Merchant of Venice
Twelfth Night
All's Well That Ends Well
Measure for Measure
Troilus and Cressida
Pericles
Cymbeline
The Winter's Tale
Chapter 2: Histories
1 Henry VI
2 Henry VI
3 Henry VI
Richard III
King John
Richard II
1 Henry IV
2 Henry IV
Henry VIII
Chapter 3: Tragedies
Titus Andronicus
Romeo and Juliet
Julius Caesar
Hamlet
Macbeth
Othello
King Lear
Timon of Athens
Antony and Cleopatra
Coriolanus
Appendix: Further Reading
References
About the Author
Product details
Published | Oct 14 2020 |
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Format | Hardback |
Edition | 1st |
Extent | 254 |
ISBN | 9781793631688 |
Imprint | Lexington Books |
Dimensions | 9 x 6 inches |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Shakespeare through Letters is at its best when we see it as an innovative way to view almost all of Shake-speare’s works, and one that requires the sweeping gaze and long experience of a scholar like Bergeron.
SEL: Studies in English Literature 1500-1900
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Combining scholarly expertise in early modern correspondence with a lifetime spent teaching, David Bergeron is uniquely qualified to guide us through the letters that permeate Shakespeare’s plays – letters that inform, amuse, woo, lie, betray; letters that are delivered, miscarried, read, unread, torn, burned, filed for posterity. In the first study to address every play in the canon, Bergeron shows how to use the letters as an entry point to understanding Shakespeare’s craft, and thus the dramas he crafted. With clear, accessible, yet penetrating analyses of each play, Bergeron demonstrates beyond doubt that if we know our letters, we’ll know our Shakespeare.
Alan Stewart, Columbia University, author of Shakespeare's Letters
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At a time when the collected letters of famous authors attract ever larger numbers of readers, David Bergeron makes up for the lack of any surviving letters from William Shakespeare by gathering together in Shakespeare Through Letters all the letters Shakespeare introduces into his comedies, histories, and tragedies. Drawing on the skills of close reading and sympathetic imagination displayed in his books on pageantry, patronage, and James I’s personal letters, Bergeron here opens up “the experience of letters” – experience that embraces characters within the fictions, actors on the stage, spectators in the theater, and “the great variety of readers” of Shakespeare’s printed texts.
Bruce R. Smith, University of Southern California, author of Phenomenal Shakespeare

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