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A blazingly original history celebrating the persistence of queerness onscreen, behind the camera, and between the lines during the dark days of the Hollywood Production Code.
From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included “any inference” of the lives of homosexuals. In a landmark 1981 book, gay activist Vito Russo famously condemned Hollywood's censorship regime, lambasting many midcentury films as the bigoted products of a “celluloid closet.”
But there is more to these movies than meets the eye. In this insightful, wildly entertaining book, cinema historian Michael Koresky finds new meaning in "problematic” classics of the Code era like Hitchcock's Rope, Minnelli's Tea and Sympathy, and-bookending the period and anchoring Koresky's narrative-William Wyler's two adaptations of The Children's Hour, Lillian Hellman's provocative hit play about a pair of schoolteachers accused of lesbianism.
Lifting up the underappreciated queer filmmakers, writers, and actors of the era, Koresky finds artists who are long overdue for reevaluation. Through his brilliant inquiry, Sick and Dirty reveals the “bad seeds” of queer cinema to be surprisingly, even gleefully subversive, reminding us, in an age of book bans and gag laws, that nothing makes queerness speak louder than its opponents' bids to silence it.
Published | Jun 03 2025 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 320 |
ISBN | 9781639732555 |
Imprint | Bloomsbury Publishing |
Illustrations | 8-page black and white insert |
Publisher | Bloomsbury Publishing |
Koresky . . . brings his deep knowledge of Hays Code-era (1934-1968) cinema to this celebration of queer film culture . . . In this reading delight, Koresky highlights the work and stories of those whose resistance kept queer filmmaking alive.
The Los Angeles Times, "30 Must-Read Books for Summer"
Revelatory . . . Koresky wears his erudition lightly, teasing out the mixed messages of code-era films with aplomb. It's a sterling work of film criticism.
Publishers Weekly, starred review
Not only is Michael Koresky master of his subject matter, he writes with uncommon clarity, precision, and verve. His love for the possibilities inherent in the art of film is obvious . . . Marvelous . . . Sick and Dirty will appeal to film students, aficionados, and anyone who wants to better understand the artistic tensions and limitations during this period.
California Review of Books
Koresky analyzes Judy Garland as a gay icon and probes the portrayal of the social outcast in Tea and Sympathy and in Tennessee Williams' Suddenly, Last Summer. Such movies resonate for queer viewers, Koresky asserts, because they capture the longing for acceptance . . . A sensitive response to a rich trove of movies.
Kirkus Reviews
The film historian delivers an erudite and personal history of gayness in cinema, from the thematic smuggling in classic Hollywood to the more recent out-and-proud movies of the American independent film movement. The book is both very serious and unabashedly fun.
The Boston Globe
An engaging and thought-provoking book recommended for LGBTQIA+ and film studies collections.
Library Journal
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