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Description
The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work
Table of Contents
List of Illustrations
General Editor's Preface
Acknowledgements
Introduction: Contamination or Remediation?
Magic to Realism: European Pioneers
Polyscenicness: Josef Svoboda and Laterna Magika
Big Screen to Small Screen
Postmodern Collage: The Wooster Group
Third-hand Photocopies: Forced Entertainment
Live Films on Stage: The Builders Association
Crossing the Celluloid Divide: Forkbeard Fantasy
Quantum Theatre: Station House Opera
Electric Campfires: Robert Lepage
Conclusion
Index.
General Editor's Preface
Acknowledgements
Introduction: Contamination or Remediation?
Magic to Realism: European Pioneers
Polyscenicness: Josef Svoboda and Laterna Magika
Big Screen to Small Screen
Postmodern Collage: The Wooster Group
Third-hand Photocopies: Forced Entertainment
Live Films on Stage: The Builders Association
Crossing the Celluloid Divide: Forkbeard Fantasy
Quantum Theatre: Station House Opera
Electric Campfires: Robert Lepage
Conclusion
Index.
Product details
| Published | Feb 01 2008 |
|---|---|
| Format | Paperback |
| Edition | 1st |
| Pages | 296 |
| ISBN | 9781403916990 |
| Imprint | Red Globe Press |
| Dimensions | Not specified |
| Series | Theatre and Performance Practices |
| Publisher | Bloomsbury Publishing |
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