This Contentious Storm does beautiful work of interweaving literary ecocriticism, theatre history, contemporary ecological theory, and historical and philosophical approaches to meteorology and performance ... [Hamilton] skilfully integrates rigorous research and good-humouredly conceals the labour that makes the work such joy to read. This Contentious Storm is a bright exemplar of what theatre and performance can contribute to interdisciplinary environmental humanities conversations, breaching literary and performance-based approaches. It will soon be impossible to think of theatre history and ecology together without reference to this book.

Studies in Theatre and Performance

The Contentious Storm provides a wonderfully fresh, sane and lucid view of King Lear in conception, context, and performance. Jennifer Mae Hamilton makes the famous storm scene a touchstone that reveals the power and the flaws of ecocritical, political, and post-structuralist perspectives over the centuries. Her judgements, based in scrupulous research, are wisely measured, and her writing has an unassuming clarity and unforced grace that is all too rare in high-level scholarship.

Robert N. Watson, Distinguished Professor of English, University of California, Los Angeles, USA

Seeing our moral universe in the naked king in the storm has long been a staple of critical responses to King Lear. By reconsidering the storm through new lenses, from posthuman ecocriticism to the intellectual history of meteorology to several centuries of theatrical practice, Jennifer Mae Hamilton demonstrates that the mad king's wrestling with 'the art of our necessities' retains the ability to speak to our reason and our needs in this era of ecological crisis.

Steve Mentz, Professor of English, St. John's University, New York, USA