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In U2’s Songs of Trauma and Hope: “Between the Midnight and the Dawning", Ingunn Røysland and Charles Ivan Armstrong show that trauma is an important theme for U2. While this leads the band to confront extreme instances of grief and suffering, this does not prevent them to cross (in the words of their song “A Sort of Homecoming”) “the fields of mourning to a light that's in the distance.” Theories from trauma and memory studies are deployed in the examination of song lyrics and performances by U2, spanning from the early days of the band to more recent times. In their exploration of light and dark, of hope and trauma within the U2 catalogue, Røysland and Armstrong acknowledge the complexity of the songs, addressing different layers, including romantic as well as divine allegory. The authors also address the band’s troublesome lyrics, with an entire chapter devoted to “Sunday Bloody Sunday,” as well as the role of multidirectional memory and significant places, so-called lieux de mémoire, in U2’s dealings with a ranger of historical conflicts and crises. They further examine how music plays an important part in the path of healing from traumatic wounds, analysing the reception of the songs. Ultimately, it is suggested, U2 shows us how to get “through the night.”
Published | Mar 29 2024 |
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Format | Hardback |
Edition | 1st |
Extent | 172 |
ISBN | 9781666930986 |
Imprint | Lexington Books |
Illustrations | 5 tables; |
Dimensions | 9 x 6 inches |
Series | For the Record: Studies in Rock and Popular Music |
Publisher | Bloomsbury Publishing |
Teasing out ever new meanings and expressive richness in the songs of U2, the close readings of this book serve as liner notes to its own expertly curated playlist. Surely it will become a resource for fans to return to, very much like the celebrated catalogue it throws new light on.
Øyvind Vågnes, University of Bergen
Even ardent fans of U2 will hear their lyrics anew after reading this book. The authors take their deep knowledge of the band and their words, and put it into the mix with the rattling snare of Irish history, and with the band’s deep bassline of spiritual longing. The book that results from this sterophonic approach lets us hear loud and clear how U2’s powerful songs arise both from traumatic disharmonies and from sweeter notes of healing.
Adam Hanna, University College Cork
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